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The stark gray set is mounted on a raised floor, slightly elevated above the actual stage floor to allow for a downstage six-foot-deep, wider-than-set segment of moving floor that can roll back and forth between offstage left and right. Other set elements are flown in and out from the riggings above — traditional stagecraft.

Both took part in a preperformance talk prior to curtain time for early-gathering members of the audience. Since then, it has been performed in some 80 different cities and has become the most performed contemporary opera of the 21st century.

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The concept of this new production by the Atlanta Opera was first developed at the New Orleans Opera with Zvulun as director. It was then a coproduction with the Atlanta Opera, but in preparation for the Atlanta stage, it was given some upgrades: a brand new wardrobe of costumes was created, sets were completely rebuilt and some scenic elements were added, in ways that make it much sturdier and capable of being toured. That touring capability is important, as the Atlanta performance is a coproduction with the Israeli Opera, which will be performed again this December.

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Photo by Jeff Roffman. Booking fees are per transaction and not per ticket. If your booking contains several events the highest booking fee will apply. Booking fees do not currently apply to bookings for exhibitions in the Art Gallery. The booking fee may be reduced on certain events. Professor Sarah Hibberd explores the history of opera as a vehicle for reflecting, responding to and even effecting political change.

Can the arts change the world? How does the role of artists and the arts help bring about change? How does culture borrow from society — and vice versa? We look ahead at some of the highlights from our annual theme. Click here to download a free copy of the programme. Location The Barbican Hall is located within the main Barbican building.

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Head to Level G and follow the signs to find your seating level. Mobility Spaces for wheelchair users in row U at the rear of the stalls up to sixteen, depth of row cm and the back row of the circle four , both with fold-down companion seats.

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Some seats in row S of the stalls for people with very limited mobility. Assistance dogs Assistance dogs may be taken into the concert hall where there are a limited number of suitable seats in row G of the stalls. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance. Hearing facility There is an induction loop in the concert hall.

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Free large-print programmes These are available for most of our concerts. Please contact access barbican. For more access information, please visit our Accessibility section. Share your feedback. Log in to access bookings, re-print pdf tickets, update email preferences and check out faster.

Dead Man Walking

By continuing to browse the site you are agreeing to our use of cookies and our privacy policy Hide this message. The human drama transforms us, whether from a European or an American perspective, whether audience or performer. For Michael Mayes , who plays De Rocher, the opera has been life-changing.

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  8. Until now he has sung only in regional US houses. Now he is singing with Joyce DiDonato in a major European theatre apparently he had to apply for a passport for the trip. Perhaps more important still, the violence and prejudice simmering in the work is a mindset Mayes recognises first-hand. He was in my family, he was in my school, I was surrounded by him. At the curtain call, his emotion was visible.

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    Heggie writes generously, if traditionally, for the voice. Pouring her heart out at top volume, DiDonato sounded as if she could have gone on effortlessly for a good few hours more.

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    The orchestra and chorus of the Teatro Real gave their all. Surely this one does.

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